Joshua Rowe

JOSHUA ROWE

BASS

Josh Rowe has performed for opera companies around Australia; including Opera Queensland, Victorian Opera, State Opera of South Australia. His many awards include the 2007 Queensland Arts Council Performing Arts Scholarship and Runner Up in the Dame Joan Sutherland Awards.
Josh has performed in many operas: including Romeo and Juliet, Lucia di Lammermoor, Nabucco, Turandot, The Magic Flute, Otello and Tosca. Josh made his principal role debut in 2007 with Richard Mills’ The Love of the Nightingale for Opera Queensland. Josh also performed the role of Bottom in Benjamin Britten’s A Midsummer Nights Dream in 2008 for which he won the Sir Mostyn Hanger Opera Award. Josh made his role debut for State Opera SA as Krishna in Philip Glass’ Satyagraha in 2014 and has gone on to perform many roles for the company.
On the concert platform Joshua has performed as soloist for numerous popular works: including Britten’s War Requiem, Vaughan William’s A Sea Symphony, Bach’s St John Passion, Mendelssohn’s Elijah, Haydn’s The Creation and Handel’s Messiah to name a few.
Josh was a 2008 Opera Queensland Developing artist and a 2014 State Opera of South Australia ‘James and Diana Ramsay Foundation Emerging Artist’.

PERFORMANCES WITH STATE OPERA SOUTH AUSTRALIA

Imperial Commisioner – Madama Butterfly (2019)
Wal, the Bellman – Boojum! (2019)
Dick, the father/the Husband – Christina’s World (2019)
Second Officer – Madeline Lee (2019)
Konrad Pritschich – The Merry Widow (2018)

MEDIA

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My State Opera favourite moment was performing the title role in Puccini’s “Madama Butterfly”. It is an Everest of a role and truly a test of mental, physical, and vocal stamina. I was surrounded by wonderful colleagues both on and off stage, and together, we created something very special. It was one of the most harmonious (no pun intended!) productions I have ever been a part of.

I treasure every single memory from the very first rehearsal to the standing ovation at the end of the sold-out final performance. Most of all, it marked my change from ensemble performer to State Opera principal artist and I will be forever grateful to have been given that opportunity from a company that I have grown up with and hold very dear in my heart. - Joanna McWaters - Lyric Soprano
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My State Opera favourite moment was performing the title role in Puccini’s “Madama Butterfly”. It is an Everest of a role and truly a test of mental, physical, and vocal stamina. I was surrounded by wonderful colleagues both on and off stage, and together, we created something very special. It was one of the most harmonious (no pun intended!) productions I have ever been a part of. 

I treasure every single memory from the very first rehearsal to the standing ovation at the end of the sold-out final performance. Most of all, it marked my change from ensemble performer to State Opera principal artist and I will be forever grateful to have been given that opportunity from a company that I have grown up with and hold very dear in my heart. - Joanna McWaters - Lyric Soprano

Comment on Facebook My State Opera ...

Brilliant performance 👏👏

Was fabulous and my partners first full opera that he loved and he is a truckie ❤️

I came and saw you in this. I was right at the back of the theatre and I never had any issues hearing every word you sang it was truly beautiful

Have seen Madama butterfly 4 times! Still my absolute favourite opera🥰each one stunning & performed beautifully... Thanku🙏❤️

Was this a the festival theatre about 4 or so years ago? Absolutely brilliant and memorable production.

Your performance was a turning point in your career, I thought.

First opera in which I saw you. Great Wow! factor!

And you were wonderful xxx

Beautiful performance🤗😘

Fantastic performance! 🍾

You were wonderful

Love it!

I prefer to call you Madame Spanks

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"McWaters captured the hearts of everyone in the crowd with a voice that seemed born for the role." - Limelight Magazine

Joanna McWaters performs Dolly's Aria from Cloudstreet. Dolly is the role that Joanna created and premiered in 2016. Have you caught up on all of the Arias From the Archives episodes?
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One day I dream to sing this role as beautifully as you jo x

Such a great role Jo McWaters!

Palmer spent five years transforming Cloudstreet, one of the country’s most beloved stories into operatic form – both composing the music and adapting Winton’s 427-page novel into a libretto.

We look back on this production in our Arias from the Archives series with Joanna McWaters performing Dolly's aria watch here: youtu.be/1GcP8H63Kso
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Palmer spent five years transforming Cloudstreet, one of the country’s most beloved stories into operatic form – both composing the music and adapting Winton’s 427-page novel into a libretto. 

We look back on this production in our Arias from the Archives series with Joanna McWaters performing Dollys aria watch here: https://youtu.be/1GcP8H63Kso

Comment on Facebook Palmer spent five ...

Love it too. An amazing production with our talented artists.

This was the best moment of the opera, (or one of the best). Loved it.

Still on my Bucket list!! Love , love , love it!!

I would love to see this again - it changed me forever

Must be revived as so many people missed out!

Brilliant production!

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As a company, we love connecting deeply with South Australians and are proud to bring so many Australians home to sing for you. ... See MoreSee Less

As a company, we love connecting deeply with South Australians and are proud to bring so many Australians home to sing for you.

Comment on Facebook As a company, we ...

Looking forward to the next time you are home Grant Doyle 🎼

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