DIMITY SHEPHERD

MEZZO-SOPRANO

Dimity Shepherd is a graduate of the Western Australian Academy of Performing Arts.

She made her professional operatic debut for Opera Australia in 1998 singing the role of Rosina in the OZ OPERA production of The Barber of Seville, performances of which OPERA~OPERA wrote, “…as wondrously delicious a Rosina as I ever hope to encounter”. Her subsequent roles for Opera Australia have included Cherubino in The Marriage of Figaro and Rebecca in the premiere seasons of Paul Grabowsky’s Love in The Age of Therapy.

She has been regularly engaged by Victorian Opera, making her debut for the company as Orphee in Gluck’s Orphee & Eurydice  and subsequently appeared for the company in the lead role of Alice in Through The Looking Glass, and as Arsamene in Handel’s Xerxes.

Engagements by Victorian Opera since, have included the role of Nireno in Handel’s Julius Caesar, Lucy in Threepenny Opera in Melbourne and Sydney, Mercurius in JS Bach’s Der Streit Zwischen Pheobus und Pan, Jazz in the premiere of How To Kill Your Husband (And Other Handy Household Hints), the lead role of Clara Johnson in the world premiere of Midnight Son, Cherubino in The Marriage of Figaro (2013 Green Room Award), the Second Secretary in Nixon In China, three principal roles in Sondheim’s Sunday In The Park With George, The Begger Woman in  Sweeney Todd, Flora in La Traviata and roles in the premiere seasons of The Riders, Cunning Little Vixen and The Princess & The Pea.

And of her most recent performances for Victorian Opera, during 2018, in the premiere season of Lorelei,  for which she received a Greenroom Award nomination, The Age said, as a siren, as a singer, as a woman … Shepherd most accomplished. 

Her roles for Opera Queensland include Maddalena in Rigoletto, Stephano in Romeo & Juliet and Tisbe in La Cenerentola.

Dimity Shepherd created the title role in Jonathan Mill’s The Ghost Wife in the world premiere seasons at the Melbourne, Adelaide and Sydney festivals and at London’s BITE02 festival at the Barbican Centre, performances of which the Sydney Morning Herald said, “Dimity Shepherd in the title role, was evocative, illusory, extraordinary, while The Times said, Dimity Shepherd is brilliant in the role.  She creates a heartbreaking, yet flawed figure and her vocal intensity underlines the music’s strange lyricism., and The Guardian wrote, Shepherd is absolutely compelling…the musical and dramatic core of the piece…”

For leading Melbourne new-music company, Chamber Made Opera her engagements have included creating the lead role in Crossing Live and the role of Elizabeth in The Children’s Bach. Her roles for Melbourne Opera include Carmen, Smeaton in Anna Bolena and Emilia in Rossini’s Otello, in 2019, for which she received a Greenroom Award. Other operatic engagements have included a return to the Second Secretary in the Auckland Festival production of Nixon In China, and Anne in To Hell & Back for Gertrude Opera.

Her concert appearances include Sculthorpe’s String Quartet No.13 Island Dreaming in the 2002 Sydney Festival, Vaughan Williams’ Serenade To Music as part of the opening events of the Melbourne Recital Centre, Messiah for the Royal Melbourne Philharmonic Society and for the Melbourne Symphony, and Charles Gaines’ Sound Text for the Melbourne International Festival and a solo recital in the program of the 2019 Port Fairy Spring Music Festival.

2020 originally included a return to the role of Carmen in Opera Australia‘s national touring production and  to her role in Lorelei for Opera Queensland and appearances as the vocal soloist in the Melbourne season of the Australian Ballet‘s production of Anna Karenina.

PERFORMANCES WITH STATE OPERA SOUTH AUSTRALIA

MEDIA

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Who saw Dominic J Walsh - tenor in the role of Nanki Poo in "The Mikado" in November last year?

As part of Opera Queensland's An Aria A Day series, he reprises the aria 'A Wand'ring minstrel I', accompanied by his husband, Dr Edgar Chan, a Clinical Neuro-psychologist with the NHS working on the frontline of the Covid-19 recovery.
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Comment on Facebook 10160148670464922

Really enjoyable performance such skill! Thank you, enjoyed both this performance and the one in Adelaide. Thank you so much.

It was a pleasure working with Dominic last year!!! Great fun!

Saw it in the front row with some friends. Loved every second of it.

State Opera South Australia is excited to be able to welcome you back to the theatre this November for our new production of "Summer of the Seventeenth Doll" as we present opera for the first time in the new-look Her Majesty’s Theatre.

We are pleased to announce an extra performance date on Saturday 14 November, allowing more people to see this compelling drama in person.

Book at BASS: www.bass.net.au/events/sosa20-summer-of-the-seventeenth-doll/

Adelaide Festival Centre
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State Opera South Australia is excited to be able to welcome you back to the theatre this November for our new production of Summer of the Seventeenth Doll as we present opera for the first time in the new-look Her Majesty’s Theatre. 

We are pleased to announce an extra performance date on Saturday 14 November, allowing more people to see this compelling drama in person.

Book at BASS: https://www.bass.net.au/events/sosa20-summer-of-the-seventeenth-doll/

Adelaide Festival Centre

Comment on Facebook State Opera South ...

So happy you’ll be back performing this year. Love to all the SOSA family! xx

So pleased this is able to go ahead! Can’t wait to see it 🙂

Yippee

Booked!!😎

Nick Plus Cindy Liau

Danielle Ruggiero-Prior date night?

Ooooooooh Sophie Felicilicity?

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Throwback to our performance of Einstein on the Beach in 2014 - now one of Philip Glass' most famous operas, it was first premiered over 40 years ago today!

#stateopera #MakeHistory #createourfuture #opera
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Throwback to our performance of Einstein on the Beach in 2014 - now one of Philip Glass most famous operas, it was first premiered over 40 years ago today!

#stateopera #makehistory #createourfuture #opera

Comment on Facebook Throwback to our ...

Fabulous memories. Would do it again in a flash. Einstein was definitely the most challenging mentally and physically.

A rare treat to see these 3 wonderful operas together. My favourite was Akhenaten.

It was an incredible thing to be part of!

A highlight for me! I would do it again if given the chance! My favourite of the three portrait operas!

I have never counted to 8 so many times in my life!!

Unforgettable.

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