Richard is an award-winning designer and educator. His body of work spans theatre, ballet, opera, musical theatre, and film, across Australia and internationally.
Richard is currently Head of Design at the Victorian College of the Arts. He has held positions as Head of Design at The Western Australian Academy of Performing Arts, Head of Production at The Victorian College of the Arts and Head of Design at The Hong Kong Academy of Performing Arts.
Richard’s designs for opera include: for Opera Australia, Rigoletto, Don Pasquale, The Magic Flute and Die Fledermaus (with West Australian Opera); for Victorian Opera, Parsifal, Cunning Little Vixen, Nixon in China, The Magic Flute, Baroque Triple Bill, The Marriage of Figaro, The Coronation of Poppea and Don Giovanni; for Opera Queensland, Ruddigore; and for New Zealand Opera, Seattle Opera, and Philadelphia Opera, Rigoletto.
For dance, Richard’s designs include: for the Australian Ballet, Don Quixote, Requiem, Molto Vivace and Raymonda; La Sylphide and La Fille Mal Gardée for West Australian Ballet and Queensland Ballet.
For theatre, Richard’s designs include: for Queensland Theatre, Othello, The Sunshine Club, Death of a Salesman, Noises Off (with Mtc), Much Ado About Nothing, Tartuffe and Managing Carmen (with Black Swan); for Ensemble Theatre, Black Cockatoo; for TML, Fiddler on the Roof; for Melbourne and Sydney Festivals, The Season National Tour; for Melbourne Theatre Company, Last Man Standing, Solomon and Marion, Next to Normal, The Gift and Frost/Nixon, Macbeth, Dreams in an Empty City, As You Like It, Hedda Gabler, The Sapphires, All My Sons; for Sydney Theatre Company, Australia Day (with MTC), True West, Riflemind; for Black Swan, The Caucasian Chalk Circle and Glengarry Glen Ross; for Belvoir, The Sapphires (with Black Swan).
For screen, Richard’s work includes production design for George Ogilvie’s The Battlers for the Seven Network, the 12-Part Series Five Times Dizzy for SBS and I Own the Racecourse for Barron Films.