- Original Director
- John Copley
- Revival Director
- Andrew Sinclair
- Conductor
- Peter Robinson
- Set Design
- Henry Bardon
- Costume Design
- Michael Stennett
- Lighting
- Donn Byrnes
- Figaro
- Patrick Donnelly
- Susanna
- Kate Ladner
- Dr Bartolo
- David Hibbard
- Marcellina
- Prue Dunstone
- Cherubino
- Christina Wilson
- Count Almaviva
- Ian Vayne
- Don Basilio
- Geoffrey Harris
- Antonio
- David Perry
- Barbarina
- Jennifer Kneale
- Don Curzio
- Brian Gilbertson
- Bridesmaid
- Miriam Gordon-Stewart
- Bridesmaid
- Teresa La Rocca
State Opera Chorus
State Opera Orchestra
SOCIAL
Scholarship Alert! Applications are open for The Marten Bequest Scholarship and the Sir Robert William Askin Operatic Scholarship for young and emerging musicians and opera singers, supported by Australia Council for the Arts and Perpetual as trustee.
These scholarships offer financial support to help talented young musicians the chance to explore, study and develop their artistic gifts through travelling either interstate and/or overseas.
Applications close 1 February 2022. Apply today: australiacouncil.gov.au/investment-and-development/partnerships-and-co-investing-with-us/perpetual-scholarships/
Image credit: Georgia Saxelby, video still from Lullaby, 2017-19, two channel video.
australiacouncil.gov.au
Applications are now open for a range of scholarships, offered through our partnership with Perpetual as trustee.Comment on Facebook Applications are now...
ooooo this might be good for me to have a look into
A rare glimpse of conductor Oliver Von Dohnányi from a musician’s point of view at a rehearsal for Carmen in the Square.
Comment on Facebook A rare glimpse of ...
what a truly magical night that was
You may not see them but without them there is no show. Get a glimpse of the world behind the stage and the work that went into presenting Madama Butterfly and The Mikado in tandem in 2019. stateopera.com.au/the-team-behind-the-stage/
stateopera.com.au
CityMag took a tour behind the scenes of an opera with production manager Ben Flett to dissect how an opera in South Australia comes together.Comment on Facebook CityMag took a tour ...
Mikado. A fabulous experience!
That dress, that attitude, that voice. Move over Moira Rose, Elisabeth Campbell as the Sorceress in Dido and Aeneas is our style icon!
Comment on Facebook That dress, that ...
Looking amaaaaaazing Miss Dib!
Such a great production to have been involved in. Such a shame SOSA and The Con no longer do these.
A great piece in InDaily on Watershed: The Death of Dr Duncan - a work appearing in the Adelaide Festival that we are proud to have co-commissioned with them and Feast Festival . indaily.com.au/inreview/adelaide-festival/2022/01/12/watershed-we-always-return-to-the-river-and-we-always-return-to-duncan/
Watershed: ‘We always return to the river and we always return to Duncan’ - InDaily
indaily.com.au
Fifty years after the killing of Dr George Duncan spurred a tragic but galvanising moment for gay rights in South Australia, a musical tribute premiering at Adelaide Festival seeks to memorialise the man – and maintain the rage.SHOWS YOU MAY LIKE
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