ANTOINETTE HALLORAN

SOPRANO

One of Australia’s most accomplished and best-loved sopranos, Antoinette Halloran performs regularly with all the major Australasian opera companies and symphony orchestras and appears frequently on national television and radio. In 2020, she sings the title role in Tosca for Opera Queensland and, for State Opera of South Australia, Mrs Lovett is Sweeney Todd and Olive in Summer of the Seventeenth Doll.

2017/2018 engagements included the title roles in Tosca for West Australian Opera (Helpmann Award nomination) and The Merry Widow for State Opera of South Australia, Praskovya in The Nose for Opera Australia, The Fox in The Cunning Little Vixen for Victorian Opera, associate artist for José Carreras’ National Tour and concert appearances with the Melbourne, West Australian, Wellington and Christchurch Symphony Orchestras. In 2019, she sang Lady Macbeth (Macbeth) and Mrs Lovett (Sweeney Todd) in Perth and The Fox in Adelaide.

A graduate of the Victorian College of the Arts and recipient of an Honours Degree in Music from the University of Melbourne, Antoinette has appeared in many productions ranging from opera to musical theatre and cabaret.

Leading appearances for Opera Australia have included the title roles in Madama Butterfly and Rusalka, Mimi in La bohème, Stella in A Streetcar Named Desire (Green Room Award), Donna Elvira in Don Giovanni, Fata Morgana in The Love for Three Oranges and Rosalinde in Die Fledermaus; for New Zealand Opera – Mimi, Cio-Cio-San and Mrs Lovett in Sweeney Todd; for Victorian Opera – Fiordiligi in Così fan Tutte, Adina in L’elisir d’amore and Mrs Lovett (Helpmann Award nomination); for Opera Queensland – the title role in The Merry Widow; for State Opera of South Australia – Micaela in Carmen.

Antoinette also featured as a guest judge and panelist on the ABC television series Operatunity Oz and has appeared regularly on the hit show Spicks and Specks; she was a presenter for ABC’s Art Nation – covering stories on opera and music theatre.

In concert, she has sung with Elvis Costello and the Brodsky Quartet for the Sydney Festival, Mozart’s Requiem with the Hong Kong Philharmonic, Carmina Burana with the Melbourne Chorale, El Niño with Sydney Philharmonia and Haydn’s Creation and Fauré’s Requiem with the Royal Melbourne Philharmonic.

Antoinette has also been a regular visitor to Japan, China and Indonesia where she is much in demand as a guest artist. She recorded Puccini Romance for ABC Classics with tenor Rosario La Spina and the Queensland Symphony Orchestra.

She was a recipient of the Puccini Award and has performed throughout Europe and America with thanks to the Acclaim Awards.

PERFORMANCES WITH STATE OPERA SOUTH AUSTRALIA

Mrs Lovett – Sweeney Todd (2020)
Olive – Summer of the Seventeenth Doll (2020)
Fox – Cunning Little Vixen (2019)
Hanna Glavari – The Merry Widow (2018)

MEDIA

SOCIAL

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Music, even at its most subdued, is emotional overstatement. - Peter Goldsworthy.

We can't wait to get back into the theatre and immerse you in great Australian music. Head to BASS to book your tickets for our first Opera of 2020 - Summer of the Seventeenth Doll!

stateopera.com.au/productions/summer-of-the-seventeenth-doll/
... See MoreSee Less

Music, even at its most subdued, is emotional overstatement. - Peter Goldsworthy. 

We cant wait to get back into the theatre and immerse you in great Australian music. Head to BASS to book your tickets for our first Opera of 2020 - Summer of the Seventeenth Doll! 

https://stateopera.com.au/productions/summer-of-the-seventeenth-doll/

Head to our Facebook story to join our stage manager as she goes prop shopping for Summer of the Seventeenth Doll set in Melbourne's hot summer of 1953.

Head to BASS to book your tickets to the first opera for State Opera's 2020 season at Her Majesty's Theatre. stateopera.com.au/productions/summer-of-the-seventeenth-doll/
... See MoreSee Less

Head to our Facebook story to join our stage manager as she goes prop shopping for Summer of the Seventeenth Doll set in Melbournes hot summer of 1953.

Head to BASS to book your tickets to the first opera for State Operas 2020 season at Her Majestys Theatre. https://stateopera.com.au/productions/summer-of-the-seventeenth-doll/

"Who listens to the libretto? You hum the tunes on the way out, you don’t whisper the words."

Peter Goldsworthy writes about what made him say yes! to adapting the classic text, Summer of the Seventeenth Doll into a libretto.

stateopera.com.au/summer-of-the-seventeenth-draft/
... See MoreSee Less

Who listens to the libretto? You hum the tunes on the way out, you don’t whisper the words.

Peter Goldsworthy writes about what made him say yes! to adapting the classic text, Summer of the Seventeenth Doll into a libretto.

https://stateopera.com.au/summer-of-the-seventeenth-draft/

Comment on Facebook "Who listens to the ...

Congratulations to SOSA for reviving these wonderful Australian works. Can't wait to see/hear it.

Saw this in Melbourne way back in the 90s. Will never forget it, but you’re right, there’s no aria to drag you in.

Lynda Meixner - you might be interested. We have our tickets.

It is important that Australian creative voices be heard. Part of State Opera's mission is to produce something that is Australian and has an Australian voice.

In 2020 we decided to elevate a new production of Summer of the Seventeenth Doll to the mainstage. The opera is, in turn, haunting, funny, nostalgic, tragic, elegiac, and familiar. And, like all great art, it provides a mirror to our times. The perfect vehicle to illustrate State Opera’s commitment to telling the Australian story, in words and music of our own time and place.

Book Now at BASS: stateopera.com.au/productions/summer-of-the-seventeenth-doll/
... See MoreSee Less

It is important that Australian creative voices be heard. Part of State Operas mission is to produce something that is Australian and has an Australian voice.

In 2020 we decided to elevate a new production of Summer of the Seventeenth Doll to the mainstage. The opera is, in turn, haunting, funny, nostalgic, tragic, elegiac, and familiar. And, like all great art, it provides a mirror to our times. The perfect vehicle to illustrate State Opera’s commitment to telling the Australian story, in words and music of our own time and place.

Book Now at BASS: https://stateopera.com.au/productions/summer-of-the-seventeenth-doll/

Comment on Facebook It is important that...

Can't wait to see this version at Her Majesty's. I saw the original production of the stage play in Sydney in 1955, with Ray Lawler himself as Barney

I am so happy that this is still getting to be performed

Can...not...wait!

to whom?

An image from the 1996 performance of Summer of the Seventeenth Doll! The opera was commissioned by the Victoria State Opera and premiered in 1996. This performance marked the first time the authentic Australian voice was depicted on stage. So too does Mills and Goldsworthy’s opera express, at its heart, something heroic, fragile, and utterly moving.

Don't miss the first time it is performed in South Australia at the new-look Her Majesty's Theatre in November!

Book now: stateopera.com.au/productions/summer-of-the-seventeenth-doll/
... See MoreSee Less

An image from the 1996 performance of Summer of the Seventeenth Doll! The opera was commissioned by the Victoria State Opera and premiered in 1996. This performance marked the first time the authentic Australian voice was depicted on stage. So too does Mills and Goldsworthy’s opera express, at its heart, something heroic, fragile, and utterly moving.

Dont miss the first time it is performed in South Australia at the new-look Her Majestys Theatre in November! 

Book now: https://stateopera.com.au/productions/summer-of-the-seventeenth-doll/

Comment on Facebook An image from the ...

Hmmmm looks to me like the fabulous Nicholas Todorovic as Johnnie Dowd...

Looking forward to seeing it

Absolutely Nicholas Todorovic as Johnnie .... still has to boots 🥾 !

Can...not...wait!!!

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